To Virtual Tour
EMYA

The award was inaugurated in 1973 by the Council of Europe. The candidates are new museums or museums after radical reorganization or extension. The main goal was to discover and promote new ideas in European museums.

In 1996, EMYA was awarded for the first time to an East European museum, the Romanian Peasant Museum from Bucharest. His Majesty Queen Fabiola handed the EMYA trophy, The Egg by Henry Moore to the director Horia Bernea. In his speech, the EMYA president, Kenneth Hudson, said:

“My colleagues and myself are convinced that the Big Prize of this year must be given to the Romanian Peasant Museum from Bucharest. The wonderfull collections of objects are presented and interpreted with exceptional imagination and skill, in an original style with great impact on the visitor. The director of the museum is loved and respected by his colleagues and his artistic formation has helped him build a museum that goes beyond the traditional level of display and creates a whole more important then the sum of parts. Horia Bernea is an exceptional man and we are sure that the European museum world will hear much more of him in the future. He, as well as the museum, is destined to have an international influence.”

Other awards:
Margareta Sterian Award for best exhibition (1993, 2001 and 2003)
“Hospitality Award” (Ministry of Tourism), 1995
National Cultural Patrimony Awards: “Horia Bernea” National Museography Award for the exhibition “Work. Fire – Water – Wind, 2002; “Vasile Dragut” Award, 2002;
“Al.Tzigara-Samurcas'' Award, 2003.
National Committee ICOM Award for the exhibition “Tiles”, 2002.
Multimedia Award for the CD series “Face to face”, 2002.
Multimedia Award for the “Info Kiosk”, 2003.
“Mihai Bacescu” Award for the patrimony obtained in 2004 for the project promoting the cultural patrimony in Tara Hategului, in partnership with GeoMedia Center, Geology Museum and “Grigore Antipa” Museum.
Honorable mention awarded by the National Committee ICOM (2005) for the thematic concept of the exhibition Icons. Spiritual abstractions displayed at Chateau –Edgar Mèlik Museum, Cabriés, France.

Revista MARTOR, Nr. 16 din 2011




Towards an anthropology of success / Pour une anthropologie de la réussite

Contents/ Sommaire

Daniela MOISA
Pour une anthropologie de la réussite


Postcommunist success stories / Histoires de réussite dans les pays postcommunistes
Bogdan IANCU
The Golden Age of Termopane. The Social Life of Post-Socialist Windows

Daniela MOISA
Du couteau à la maison. Pratiques et matérialités de la réussite au village de Certeze

Răzvan DUMITRU
Politics and Practices in Post-Soviet ‘Business’: between shame and success

Răzvan NICOLESCU
Solid Houses and Distant Homes. The Morality of Domestic Space in Southeast Romania

Șerban VĂETIȘI
The Material Culture of the Postsocialist City. A Success/Failure Perspective

Petruț CĂLINESCU
Paris – Negrești. Work migrants in between homes
Photographic essay


Negotiating success and failure / Négocier la réussite et l\'échec
Ana MARIN
Le rôle de la honte dans le contexte d’un avortement. L’exemple de la Moldavie

Jocelyn GADBOIS
La face cachée de la réussite. L’exemple du Texas Hold’em en ligne et hors-ligne

Olha OSTRIITTCHOUK
La victimisation comme stratégie politique gagnante et moyen de reconnaissance sociale dans les sociétés postcommunistes (l’exemple de l’Ukraine)

Cheryl KLIMASZEWSKI, James M. NYCE, Gail E. BADER, “Success stories” as an evidence form: Organizational legitimization in an international technology assistance project

Museology : Museum authors / Muséologie : Auteurs de musées
Gabriela NICOLESCU
The Museum Device. Notes from the making of an exhibition

Interview with Dragoș NEAMU
ARCA Museum in Dumbraveni. Armenian memory in suitcases




Back to main page