To Virtual Tour
Reestablished on February 5th 1990, the Romanian Peasant Museum is the continuator of a long museological tradition. In 1906 the first autonomous museum for peasant art was established. Lucky circumstances brought the art historian Alexandru Tzigara-Samurcaş as its first director. He renamed the institution the Ethnography and National Art Museum and from 1912 on, the National Art Museum. During the 40 years of Tzigara Samurcaş’ leadership the museum was in the avant-garde of European museology.

The so-called “liberation” of 1944 led to the “liberation” of the museum from its own home and its replacement with the Lenin-Stalin Museum.The National Art Museum moved, as a tenant, in Ştirbei Palace on Calea Victoriei, for 25 years and under a new name: the Popular Art Museum of the Romanian Popular/Socialist Republic. During this period, the museographers were forced to “forget” exhibiting some valuable collection pieces, especially the religious ones. However, they succeeded in increasing the heritage of the museum with three times as much objects of peasant art.

In 1978, the Popular Art Museum and the Village Museum are united in one institution. The unification mainly meant that most of collections of the Popular Art museum remained hidden in a long and unhealthy sleep until 1990 when the museum was reestablished and brought back to its home on Kiseleff no.3.

Revista MARTOR, Nr. 16 din 2011




Towards an anthropology of success / Pour une anthropologie de la réussite

Contents/ Sommaire

Daniela MOISA
Pour une anthropologie de la réussite


Postcommunist success stories / Histoires de réussite dans les pays postcommunistes
Bogdan IANCU
The Golden Age of Termopane. The Social Life of Post-Socialist Windows

Daniela MOISA
Du couteau à la maison. Pratiques et matérialités de la réussite au village de Certeze

Răzvan DUMITRU
Politics and Practices in Post-Soviet ‘Business’: between shame and success

Răzvan NICOLESCU
Solid Houses and Distant Homes. The Morality of Domestic Space in Southeast Romania

Șerban VĂETIȘI
The Material Culture of the Postsocialist City. A Success/Failure Perspective

Petruț CĂLINESCU
Paris – Negrești. Work migrants in between homes
Photographic essay


Negotiating success and failure / Négocier la réussite et l\'échec
Ana MARIN
Le rôle de la honte dans le contexte d’un avortement. L’exemple de la Moldavie

Jocelyn GADBOIS
La face cachée de la réussite. L’exemple du Texas Hold’em en ligne et hors-ligne

Olha OSTRIITTCHOUK
La victimisation comme stratégie politique gagnante et moyen de reconnaissance sociale dans les sociétés postcommunistes (l’exemple de l’Ukraine)

Cheryl KLIMASZEWSKI, James M. NYCE, Gail E. BADER, “Success stories” as an evidence form: Organizational legitimization in an international technology assistance project

Museology : Museum authors / Muséologie : Auteurs de musées
Gabriela NICOLESCU
The Museum Device. Notes from the making of an exhibition

Interview with Dragoș NEAMU
ARCA Museum in Dumbraveni. Armenian memory in suitcases




Back to main page